1. Identity statement | |
Reference Type | Film or Video (Film or Broadcast) |
Site | sibgrapi.sid.inpe.br |
Identifier | 8JMKD3MGPEW34M/47QSKHH |
Repository | sid.inpe.br/sibgrapi/2022/10.17.09.07 |
Last Update | 2022:10.17.09.07.31 (UTC) dioognei@gmail.com |
Metadata Repository | sid.inpe.br/sibgrapi/2022/10.17.09.07.31 |
Metadata Last Update | 2022:10.27.13.02.50 (UTC) administrator |
Citation Key | MatosNasc:2022:MuApAc |
Title | Musical Hyperlapse: A Multimodal Approach to Accelerate First-Person Videos |
Short Title | Video |
Format | On-line |
Year Released | 2022 |
Access Date | 2024, May 19 |
Number of Files | 1 |
Size | 389278 KiB |
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2. Context | |
Director | 1 Matos, Diognei 2 Nascimento, Erickson R. |
Affiliation | 1 Federal University of Minas Gerais 2 Federal University of Minas Gerais |
e-Mail Address | dioognei@gmail.com |
Series Title | Conference on Graphics, Patterns and Images, 35 (SIBGRAPI) |
History (UTC) | 2022-10-17 09:07:31 :: dioognei@gmail.com -> administrator :: 2022-10-27 13:02:50 :: administrator -> dioognei@gmail.com :: 2022 |
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3. Content and structure | |
Is the master or a copy? | is the master |
Content Stage | completed |
Transferable | 1 |
Keywords | computer vision music emotion recognition image emotion recognition semantic hyperlapse |
Synopsis | With the advance in technology and social media usage, first-person recording videos has become a common habit. These videos are usually very long and tiring to watch, bringing the need to speed up them. Despite recent progress of fast-forward methods, they do not consider inserting background music in the videos, which could make them more enjoyable. This thesis presents a new method that creates accelerated videos and includes the background music keeping the same emotion induced by visual and acoustic modalities. Our approach is based on the automatic recognition of emotions induced by music and video contents and an optimization algorithm that maximizes the visual quality of the output video and seeks to match the similarity of the music and the video's emotions. Quantitative results show that our method achieves the best performance in matching emotion similarity while maintaining the visual quality of the output video compared with other literature methods. Visual results can be seen through the link: https://youtu.be/9ykQa9zhcz8. |
Arrangement 1 | urlib.net > SDLA > Fonds > Video |
Arrangement 2 | urlib.net > SDLA > Fonds > SIBGRAPI 2022 > Musical Hyperlapse: A Multimodal Approach to Accelerate First-Person Videos > Video |
doc Directory Content | access |
source Directory Content | there are no files |
agreement Directory Content | |
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4. Conditions of access and use | |
data URL | http://urlib.net/ibi/8JMKD3MGPEW34M/47QSKHH |
zipped data URL | http://urlib.net/zip/8JMKD3MGPEW34M/47QSKHH |
Language | en |
Target File | Supplementary Video.mp4 |
User Group | dioognei@gmail.com |
Visibility | shown |
Update Permission | not transferred |
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5. Allied materials | |
Mirror Repository | sid.inpe.br/banon/2001/03.30.15.38.24 |
Next Higher Units | 8JMKD3MGPEW34M/46T9EHH 8JMKD3MGPEW34M/47QSJL5 |
Citing Item List | sid.inpe.br/sibgrapi/2022/05.18.20.13 4 sid.inpe.br/banon/2001/03.30.15.38.24 1 |
Host Collection | sid.inpe.br/banon/2001/03.30.15.38 |
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6. Notes | |
Empty Fields | accessionnumber alternatetitle archivingpolicy archivist area callnumber cast city contenttype copyholder copyright creatorhistory datereleased descriptionlevel dissemination distributor doi edition electronicmailaddress group holdercode isbn issn label lineage mark medium nextedition notes orcid parameterlist parentrepositories photographer previousedition previouslowerunit producer progress project readergroup readpermission resumeid rightsholder runningtime schedulinginformation secondarydate secondarykey secondarymark secondarytype seriesdirector session sponsor subject tertiarymark tertiarytype url versiontype |
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7. Description control | |
e-Mail (login) | dioognei@gmail.com |
update | |
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